Album One:
Beyond the Bounds
      The music on this CD is experimental at its core, otherwise fitting no specific category other than Spoken Word (perhaps more appropriately, Poetic Word).

      It may help to think "Shuffle on a Disc." The difference in tempo and sound in the succession from one track to the next takes the casual, first-time listener by surprise.

      The album's description is "trans-genre." Avoiding a specific genre was intentional, due to the various moods of the lyrics, which dwell primarily on philosophic subjects with occasional tongue-in-cheek additions.

      The range of sound, however, holds hints of alternative, techno, electronica, metal, hip hop, and new age, among others.

      The original intention was to place a definite emphasis on the lyrics while providing a dance beat. For the most part, this was done.

      While the bulk of instrumental sound relies on sequenced samples, some tracks were supplemented by live drum and guitar.

      The last track, "Drums 'N' Guns," has no vocals whatsoever, featuring recordings of actual gunfire to supplement the beat and add punctuation. So, it could be said that the album literally ends with a bang.

$11.95
CD price includes shipping, handling & applicable taxes.
Checks / Money Orders

For Padre Yama T-Shirts:
MAKE INQUIRY




DigStation - Indie Music Downloads

 

Email

Tracks

  1. Beyond the Bounds
  2. Chains
  3. Cosmic Split
  4. Decide
  5. Double Paradox
  6. Eternal Now
  7. HomoGenesis
  8. Man's Pursuits
  9. Belief
10. Open Channels
11. Head to Toe
12. Hit It !
13. Knowing
14. Drums 'N' Guns

Background

        Over the years, I had the habit of writing down some of my more philosophical thoughts in the form of verse, with the idea that such things were more easily remembered when presented with rhythm and rhyme.   Over those same years, I was greatly intrigued by the subject of music — its structure and theory.

        One day while sitting in a recording studio, watching and listening while a friend was being recorded, I was struck by the way music was actually done in a modern studio.   I was excited by the technology that went into it.   My thoughts turned to my poetic writings.   "Would it be feasible to present my writings in musical form?"   I directed this question to James Cory, the engineer who was doing the recording.   That was the beginning.

        As the idea evolved, I eventually set up my own recording studio at home, with the encouragement of James.   I learned enough of the rudiments of sequencing to lay down bass and drum tracks, and to create melodies.   I recorded all of my own vocals, with the exception of the first one, "Beyond the Bounds," recorded by James.   Seven of the fourteen tracks are the result of my taking them as far as I could before turning them over to the expertise of James for his additions and tweaks, including his playing live drums and guitar in a few instances.   Five of them are completely the musical works of James with my recorded vocals, and the remaining two are totally mine.

MUSIC: the cosmic code.

        Having heard many times that some form of music has existed in every culture, I wondered what it was about music that placed it amidst human affairs to the extent that it is.   Why does music have such an attraction for human beings?   There is one theory that I like.

        Julie Andrews sang, "The hills are alive with the sound of music."   I believe that the whole universe is alive with music.   This is not a new idea.   The universe is many times referred to as the "cosmos," a Greek word meaning order and harmony, from ancient times when philosopher-scientists believed that the universe actually sings! Today's scientists have had to reevaluate that idea.

        One of them, Dr. Donald Hatch Andrews, was a professor of chemistry at Johns Hopkins University for over 25 years.   In addition to a textbook on chemistry, he wrote another book, entitled "The Symphony of Life."   In it, he stated that atoms "...consist largely of vibration with harmonic relations that are in many ways similar to the harmonic relations found in music..."
and... "Thus it begins to look more and more as if our universe is constructed not of matter but of music."
        Is it any wonder then why we humans are universally so inclined to regard music as we do?   Its existence not only arises from our minds and emotions — it resides within our physical being.